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Hesitant to throw down $50 a month to pay for an Adobe membership? Here are all the NLE alternatives that you have available to you — both free and paid.
Just place one of these transitions above your two clips in the Premiere Pro timeline, add a Track Matte Key, and you’re ready to go. Download 16 FREE PremiumBeat Circle Transitions. Ink Splash Transitions. I know the thumbnail above says “Animated Titles,” but within this pack are more than fifty ink splatter transitions. Depending on the task, Premiere Pro runs at 93-98% efficiency with 8 cores. Important note about working with H.264 and HEVC formats. H.264 and H.265 (HEVC) are widely used capture formats for DSLRs, mirrorless cameras, action cameras, and phones. H.264 is also the preferred format for uploading to YouTube and social media sites.
While Adobe may be the top choice of NLE for most indie filmmakers, DIY production houses, and beginners (and even the choice for large scale productions such as Gone Girl), the steep $50 per month subscription charge is enough to drive some people away from the highly-rated editing suite.
There are a plethora of choices out there that are either free to use or require an up-front cost. Tons of creators are turning to these alternatives when looking for their preferred NLE. So, today we’re going to dive into all the choices you have on the market — their pros, cons, and price — so you can decide for yourself if you want to make the switch.
DaVinci Resolve 16
I’m starting off with DaVinci Resolve because this is my absolute first choice for a free, incredibly powerful, and intuitive NLE. There’s a big shift going on in the indie circuit when it comes to Resolve. We’ve seen a huge uptick in creators switching over to Resolve due to its availability and reliability.
One of DaVinci’s biggest draws is its color correction and grading platform. It’s by far the top choice for professional color graders for correcting and grading footage. The software also beats out Adobe’s Lumetri Color by a long shot.
With recent updates, it’s upgraded both Fairlight and Fusion VFX — their audio and VFX tabs within the program. Their edit page isn’t too shabby either. It’s a full stop edit suite that can get down and dirty with a complicated timeline. It’s also a one stop shop for a professional edit, and has most (and in some cases, more) features than all of the Adobe suite programs combined.
If you want to learn more about DaVinci Resolve and get to learning it, download the program for free and follow along with our multiple tutorials by Lewis McGregor to get yourself acquainted.
Pros:
- Incredible industry-standard color correction and grading software within the program
- Gives you all the tools you need to make a professional edit in one program
- No monthly subscription or upfront cost
Cons:
- Steep learning curve, and sometimes hard to understand UX
- VFX program does not match up to After Effects
Price: Free
Avid Media Composer
Ahh, Avid — the one NLE that editors love to hate. I trained in Avid in college, and as much as I hated slogging through the textbook and the antiquated features of the program, I grew to love it in a weird way. It’s incredible at handling feature-length projects, and the organization tools inside of the program are hard to match. It won’t blink at high resolution video, or shy away from a monster timeline. It’s the workhorse of all of the NLEs out there.
It’s still the overwhelming choice of NLE for most Hollywood-level productions due to its enterprise and project-sharing abilities. And, I will say, after the upgrades in the recent update it looks a lot friendlier and modern compared to the blocky grey blob it used to be. If you are serious about becoming an editor for a post house or grinding your way to entering the ACE guild, Avid is the right choice.
Pros:
- The choice of NLE for major productions and union editors
- incredibly powerful software that can handle feature-length projects
- New, updated UX that is cleaner and easier to understand
Cons:
- Incredibly difficult learning curve (seriously, you might have to buy a textbook)
- Not as user-friendly as the other NLEs
Price: $23.99 Monthly Subscription
Final Cut Pro X
Final Cut Pro X is historically Premiere’s top competitor in the indie NLE market. I was brought up in the editing world during the heated battle between Final Cut and Premiere users. It was a gruesome battle between editors — I even almost got fired from a gig early in my career for arguing with my boss about using Final Cut over Premiere. Even though I may be committing a cardinal sin amongst Premiere users for suggesting Final Cut over Premiere, I’m going to write this with as little bias as possible.
Final Cut is a solid, simple editing platform. It may be joked about as being “iMovie Plus,” but it’s actually got some serious horsepower behind its simple, friendly exterior. One of my favorite parts about Final Cut is its ability to take complicated editing tasks and condensing them into an incredibly easy to use, drag and drop effect. I started doing a few projects within the program this past year, and there were times that I was able to use effects that took me thirty seconds which would have taken me five minutes in Premiere to execute.
They’ve really put the work in to make it a professional-level NLE, and it’s motion and audio editing platforms within the program are easy to use and incredibly clean. One of the main problems I have with Final Cut though is its organization flow. The project and clip window is a mess to me, and hard to organize. But, for a small project, it’s by far the fastest way to get a clean edit.
Pros:
- Easy to learn and pick up for beginners
- Incredibly clean and intuitive UX
- Great for getting out a project fast
Cons:
- Only available on Mac
- Untidy organization for scanning through clips and for large scale projects
Price: $299.99
HitFilm
HitFilm Express is probably the closest program to Premiere that you are going to find. It’s simple, extremely intuitive, and best of all, it’s FREE.
HitFilm Express is the go-to choice for a lot of editors that like the simplicity of Premiere, but don’t want to pay the monthly tithe to Adobe. It’s got some serious punching power for a free program, and it’s also pretty great for a simple edit. It may not be at the level as the other programs on here, but it’s one of my first recommendations for an editor just getting into the game who doesn’t want to drop a bunch of money on an editing program, or doesn’t have the time to get acquainted with Resolve.
HitFilm also offers their pro version for $299, which offers a plethora of extra effects and programs. If you want to learn more about HitFilm, they have an extremely active YouTube channel with tutorials and walkthroughs of their program.
Pros:
- Free to use, fun editing program perfect for beginner editors
- Ability to do some really interesting and professional looking effects with guided walkthroughs from FXHome
Cons:
- Not as professional-grade as the other programs, not very applicable to corporate or post-house level editing
- Pro version costs as much as some other high-caliber editing programs
Price: Free for Express / Pro version – $299
Vegas Pro 17
Vegas has always been the scrappy little brother in the fight for the top NLE. It’s never really taken a chunk out of the market share, but it is still loved and adored by its hardcore fans and users. What I’ve found with NLEs is that you usually stick with the one that you learned on. For most folks who were editing Call of Duty screen captures for Youtube in the early 2010s, Vegas was the editor of choice.
Now Vegas is a fully fledged NLE with all of the features that you would need. But, to be honest, even with their new update it still looks like it’s stuck in 2015. The UX is clunky, and the design of the program looks a bit outdated. Still, it’s used around the world as a go-to editor. The price point is pretty steep for a smaller program (especially when you have Resolve available for free), but it’s still a solid option when shopping around for your new program.
Pros:
- Great program for legacy Vegas users
- Intuitive color grading programs
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Cons:
- Clunky, outdated UX
- Not as feature-heavy as the other NLEs in its category
- Steep price point
Price: $399 for Basic Edit Package, $599 for Pro
Cover image via Antonio Guillem. Adobe premier pro 2017.
Want more insider tips on video editing? Check these out.
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In this walkthrough, we’ll look at how to optimize your editing workflow — and which settings to check if Premiere Pro is running slow.
Laggy playback is probably the most frequent complaint from Premiere Pro users. I recently completed a deep-dive into Adobe’s Premiere Pro troubleshooting pages and their community forums, and I’ve complied a list of solutions that you can try if Premiere Pro is lagging.
It’s important to remain realistic about your computer’s hardware and specs. (Especially when it comes to editing 4K video or videos with lots of effects.) Also, if you’re in the middle of a project, I strongly recommend against updating any Adobe CC apps until you’ve finished. Updating Adobe CC apps in the middle of a project is asking for trouble. (If you do update them, at least don’t uninstall the previous CC versions.)
We’re going to cover settings and general workflow tips that should improve your Premiere Pro experience.
Quickest Solutions for the Most Improvement
If you’re in a hurry to find out why Premiere Pro is running slow, these four solutions typically offer the most dramatic speed improvement.
Turn on GPU Acceleration
Under Project Settings, make sure the Renderer is set to GPU Acceleration. If the GPU Acceleration option is grayed out, you may need to update your graphics card drivers. If you update them, and the option is still grayed out, Premiere Pro may not support your graphics card.
Make certain the Renderer is set to GPU Acceleration.
Lower Playback Resolution
This one seems pretty obvious, but it’ll make a drastic difference if you lower the playback resolution. Adjust the setting to 1/2 or 1/4 in the bottom-right corner of the Preview Window.
You can also make sure High Quality Playback is disabled. Click on the Wrench icon right next to the Resolution setting, and then make sure High Quality Playback is unchecked.
Purge Media Cache Files
Sometimes old cache files can be the culprit. Navigate to Media Cache in Preferences. Then select Delete Unused.
Make sure you delete unused media cache files.
Save Cache Files to a Secondary SSD
Finally, it’s also recommended to save your media cache files and scratch disk files to a secondary drive — preferably an internal SSD — for the best playback performance. In fact, Puget Systems claims this is the number one thing you can do to increase performance with Premiere Pro. If you have to use an external SSD, make sure it’s rated for USB 3.0 and you have it plugged into a USB 3.0 port. (USB 3.0 is usually indicated with the color blue on the port or connector.)
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To change the cache file location, navigate to Media Cache in Preferences.
In Preferences, scroll down to Media Cache to change the cache file location.
To change the scratch disk file location, navigate to Scratch Disks under Project Settings. (Note that you will need to set the Scratch Disks settings for every new project you work on. Premiere Pro doesn’t save that Project Setting location like it does for Media Cache files.)
Under Project Settings, navigate to Scratch Disks in order to change the scratch disk’s file location.
Settings to Check
Here’s a list of other settings you may want to change in Premiere Pro for faster playback. Experiment with these, as results will vary depending on your workstation.
Optimize Rendering for Performance
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Under Preferences, navigate to Memory and set Optimize Rendering for Performance.
Navigate to Memory, then set Optimize Rendering for Performance.
Disable Auto Save
Frequent auto saves can sometimes slow down your machine. (For me, auto save usually crashes my Adobe apps more than it actually saves them. But try this recommendation at your own risk!) Navigate to Auto Save under Preferences to turn it off.
Disable Mercury Transmit
Mercury Transmit is typically used to send your preview window to external screens. If you aren’t using one, turn this feature off. Navigate to Playback under Preferences to disable it.
Under Playback, disable Mercury Transmit to further quicken the process.
Disable Refresh Growing Files
Automatically Refresh Growing Files is a setting typically used for live broadcast productions. Some Premiere Pro users have reported getting better performance with it turned off. To disable it, navigate to Media under Preferences.
Another trick for a better performance, disable Automatically Refresh Growing Files.
Check for Updates
If your current version of Premiere Pro suddenly becomes laggy, check for updates for your operating system and graphics card. Doing this has frequently helped solve issues for me, as more often than not, there’s an update available. (However, if you’re in the middle of a project and everything is working normal, don’t update anything!)
Checking for updates for both your operating system and graphics card can help with a lagging computer.
Workflow Tips
Here’s a list of practices you can use when editing to optimize your workflow. (And hopefully increase preview speed!)
Don’t Edit Files on a Memory Card
Even though memory cards are flash memory, they’re not ideal for direct editing. In other words, offload files from your memory card to a separate drive, then edit with those files in Premiere Pro.
Use Proxy Files
Using proxy files when you edit is another technique that’s sure to get you better playback in Premiere Pro. Using proxy files is basically substituting a lower-resolution version of your footage in while you edit. It’ll then switch back to your high-resolution footage when it’s time to render. In this quick tip article, Robbie Janney covers how to create proxies in Premiere Pro.
Avoid Editing Files with Compressed Codecs
While compressed codecs are great for recording or uploading, they aren’t ideal for editing. Compressed codecs, such as H.264, take more time to decompress while editing, so they frequently have laggy playback. Codecs like ProRes, Cineform, and DNxHD are more ideal for editing. Again, an easy way to get around this is to just use proxy files.
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Render Dynamic Linked Comps
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If you have any portion of your video timeline linked to After Effects or another Adobe CC app, you can quickly render and replace those for faster playback. Simply right-click on the Dynamic Linked sections of your edit, then select Render and Replace.
For faster playback, use the Render and Replace option.
Turn Off Video Effects
Multiple video effects can put a heavy strain on previews, as well. You can try turning off individual effects before you preview, or use the Global FX Mute button to turn off all effects.
If you don’t see the Global FX Mute button in your Preview Window, you can add it by selecting the Plus icon, then drag and drop it into the Preview Window tool bar.
Here’s how to add the Global FX Mute button.
Close Lumetri Scopes
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If you have the Lumetri Scopes panel open, close it up before trying to play back your footage in the timeline.
Close the Lumetri Scopes Panel before you play back your footage.
Render In to Out
If all else fails, you may just have to set an in-point and an out-point and select Render In and Out under Sequence settings. It’ll take some time to render previews of the footage in your timeline. After which, it should playback in real time, until other changes are made to the edit.
Dropped Frame Indicator
Premiere Pro also has a built-in Dropped Frame Indicator that can signal to you if you’re skipping frames during playback. (You’ll likely already be aware of this if you see visible lag during playback.) Click the wrench icon at the bottom right of the Preview Window, then select Show Dropped Frame Indicator. You’ll see a small green dot that’ll turn yellow or red, if there are dropped frames during playback. Free photo editing website.
If you seem to be skipping frames during playback, select the Show Dropped Frame Indicator.
Looking for more Premiere Pro tips? Check these out.